
REVIEW: Mid-Show Standing Ovations in Carnegie’s “La Cage aux Folles”
At the center of that world is Josh Walden as Albin, and their performance gives the production its beating heart—and its most electrifying moments.
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At the center of that world is Josh Walden as Albin, and their performance gives the production its beating heart—and its most electrifying moments.

From start to finish, this is a wonderfully assured piece of showmanship that knows exactly how to win over a crowd.

What better way to spend a summer evening than with a little love, some cheeky jokes, a lot of feathers and a reminder that the

The laughter rarely lets up, and Bouldin, Gregory, and Phillips have the audience in the palm of their hands from beginning to end.

The story expresses their concerns about the world today and their hopes of overcoming the struggles that plague it.

The two men circle one another, retreat and engage again as McCarthy’s script builds naturally toward increasingly passionate confrontations.

Jasmine Bouldin, Hannah Gregory, and Patrick Earl Phillips carry the entire production on their backs. They do so with the kind of stamina and comic

Love knows no law. If you don’t love me, I will love you, and if I love you–beware.

Cincinnati Opera company presents Carmen as a stunning visual performance as well as a feast for the ears.

Emily Turner’s connected short plays find the humor, fear and love inside ordinary families

The show is a great choice for audiences of all ages, especially those who enjoy musical theatre and stories about kindness and acceptance.

It is a real pleasure to watch an enthusiastic group work well together.