Panelists for the League of Cincinnati Theatres (LCT) have recognized Cincinnati Playhouse in the Park“™s Abigail/1702 with 2 LCT nominations, scenic design (Wilson Chin) and
Panelists for the League of Cincinnati Theatres (LCT) have recognized Covedale Center for the Performing Arts“™ Broadway Bound with an LCT nomination for lead actress
Panelists for the League of Cincinnati Theatres (LCT) have recognized Ensemble Theatre of Cincinnati“™s Freud“™s Last Session with an LCT nomination for props (Shannon Rae
Panelists for the League of Cincinnati Theatres (LCT) have recognized The Carnegie Visual and Performing Arts Center“™s Camelot in Concert with 3 LCT nominations, for
Panelists for the League of Cincinnati Theatres (LCT) have recognized Untethered Theatre’s Red Light Winter with 4 LCT nominations as well as distinguishing it as a
Panelists for the League of Cincinnati Theatres (LCT) have recognized Cincinnati Shakespeare Company“™s Richard IIwith an LCT nomination for lead actor (Brent Vimtrup) and lighting
The scenic design by Gion DeFrancesco (assisted by Isaiah Serra), lighting by Sarah Finke and Marly Wooster, sound by Cailin McWethy, and costuming by Lisa Martin-Stuart form some of the most polished production values I’ve seen at Miami.
Michael Hatton’s charming vision and expertise is found in every choice made in this show. Jacob Priddy as Music Director has arranged an excellent score of Christmas music and most of them period accurate.
Guided by a strong artistic vision and enhanced by new orchestration, this adaptation of the Dickens classic offers an unforgettable night at the theatre.
