Incline’s “Seven Brides and Seven Brothers” Full of Great Numbers
Review by Doug Iden of “Seven Brides for Seven Brothers”: Incline Theatre It“™s tricky to adapt an original classic, dance-oriented Hollywood musical to the theater,
Review by Doug Iden of “Seven Brides for Seven Brothers”: Incline Theatre It“™s tricky to adapt an original classic, dance-oriented Hollywood musical to the theater,

Review by Nathan Top of “Seven Brides for Seven Brothers”: Incline Theatre Theater is time travel. It allows an audience to go to a place,
Review by Nathan Top of “œAmerican Idiot“: Carnegie Theatre I have an allergy to jukebox musicals; primarily most of them are poorly written and garishly
Review by Jack Crumley of “œAmerican Idiot“: Carnegie I promise I“™m going to do my best to not wax too philosophically in this review. For
Review by Christiana Molldrem Harkulich of “All in Your Head”: American Legacy Theatre Title: Students tackle False Confession in A.L.T’s “œAll In Your Head“ The

The scenic design by Gion DeFrancesco (assisted by Isaiah Serra), lighting by Sarah Finke and Marly Wooster, sound by Cailin McWethy, and costuming by Lisa Martin-Stuart form some of the most polished production values I’ve seen at Miami.

Michael Hatton’s charming vision and expertise is found in every choice made in this show. Jacob Priddy as Music Director has arranged an excellent score of Christmas music and most of them period accurate.

Guided by a strong artistic vision and enhanced by new orchestration, this adaptation of the Dickens classic offers an unforgettable night at the theatre.