
REVIEW: Miami’s ‘Murder on the Orient Express’ is Right on Track
The scenic design by Gion DeFrancesco (assisted by Isaiah Serra), lighting by Sarah Finke and Marly Wooster, sound by Cailin McWethy, and costuming by Lisa

The scenic design by Gion DeFrancesco (assisted by Isaiah Serra), lighting by Sarah Finke and Marly Wooster, sound by Cailin McWethy, and costuming by Lisa

So many live professional, semi professional and academic productions coming in January and February!

LCT reviewers share about their favorites–and why. Some times it was spectacle which made it the favorite, sometimes the performances, sometimes the theme, and some times, seeing a well-known story in a new light.

This is Shakespeare that trusts its audience, trusts its actors, and trusts the joy of live theatre to do the rest.