REVIEW: Ensemble’s “Where We Stand” an Allegory that Connect to Audiences
The production keeps the audience leaning in and at the edge of their seats, with Wiggins embodying a cast of multitudes and inviting us into
February 5, 2026
The production keeps the audience leaning in and at the edge of their seats, with Wiggins embodying a cast of multitudes and inviting us into
The production keeps the audience leaning in and at the edge of their seats, with Wiggins embodying a cast of multitudes and inviting us into a story that unfolds deliberately, poetically, and, by the end, collectively.
My only complaint is that the show ended.
As the son of a military officer who served in World War II, I found this very fulfilling,