A Puppet, A Pastor, and a Play come together for “œHand To God“ at the Incline
Review by Mary Kate Groh of “Hand to God”: Incline Theatre If you thought puppets were used only in children“™s story-telling, you were wrong. Written
Review by Mary Kate Groh of “Hand to God”: Incline Theatre If you thought puppets were used only in children“™s story-telling, you were wrong. Written
Review by Blair Godshall of “œHand to God“: Incline Theatre The play “œHand to God“ could be described as a dysfunctional family drama/teenager coping with angst saga/angry satire on Christianity/ horror movie/ raunchy comedy/ puppet
Review by Christiana Molldrem Harkulich Of “œIn the Night Time“: Know Theatre Nina Segal“™s “œIn The Night Time (Before The Sun Rises)“ at Know Theatre is a
Review by Raechel Lombardo Of “œIn the Night Time“: Know Theatre Ostensibly, Know Theatre’s “œIn the Night Time (Before the Sun Rises),“ by Nina Segal, is
Review by Doug Iden of “Joseph and the Amazing Technicolor Dreamcoat”: Carnegie “Joseph and the Amazing Technicolor Dreamcoat” coated the Carnegie stage with many colors on opening night
Review by Jack Crumley of “œJoseph and the Amazing Technicolor Dreamcoat“: Carnegie Joy, jealousy, betrayal, despair, opportunity, redemption, reunion. For a celebratory, rambunctious, and COLORFUL
Review by Liz Eichler of “Every Christmas Story Ever Told (And Then Some)”: Cincinnati Shakespeare Company The Holiday Hits keep coming! Like a Jack in the
Review By Liz Eichler of “Miracle on 34th Street”: Covedale Theatre Covedale keeps their audiences happy by providing great shows they want to see. What better
If you’ve ever wondered what a sound designer does, do not miss this fantastic production. The way Dunlap scores the scenes with ominous instrumentals and percussive hallucinations will keep your heart rate high and your senses on alert.
Beautiful has a lot of heart at its core, it showcases themes of perseverance, agency, and the importance of standing in your truth.
Sidney Higgins leads the cast with a pitch perfect portrayal of King by showcasing a surprising vocal vulnerability that draws audiences in and keeps them wanting more. This is no small feat given the role requires almost constant signing for two and a half hours.