
REVIEW: CSC’s 80’s inspired ‘Love’s Labour’s’ Wins
Director Matthew Lewis Johnson transports Shakespeare’s story about 400 years from the 1590’s to the neon-soaked pulse of the 1980’s.

Director Matthew Lewis Johnson transports Shakespeare’s story about 400 years from the 1590’s to the neon-soaked pulse of the 1980’s.

It is a script that raises questions that get you thinking. This is a must-see show for the more adventurous theatre-goer and for fans of

The Madisonville neighborhood’s mixed-use boom has sparked real-world concerns about gentrification and the loss of affordable housing. To watch Clos(in)g here as I did, in

If anything, Man vs. Machine makes one thing clear: great theatre will always depend on the complexity of the human heart.

The costuming is a standout—elegant, precise, and period-perfect. Each character’s wardrobe reflects both class and personality, from Ruth’s polished sophistication to Elvira’s ethereal shimmer.

…a law which is being discussed which would limit the number of words anyone could speak to 141 per day…

This production, directed by Emily N. Wells, explores the nature of predators and reimagines the story as a brilliant, unsettling, darkly comedic drama.

The actors know what they are doing and commit to the horror, humor, and absurdity…

It is with great sadness that LCT shares the loss of Dr. Sanford Osher

The man we now call St. Francis of Assisi was once a privileged merchant’s rebellious teenage son. And when he received his calling, his parents desperately wished he would not answer.

This production of “Buddy: The Buddy Holly Story” delivers exactly what audiences hope for: strong performances, infectious music, and an evening that leaves you smiling.