“Airness” at Human Race: For Those About to Rock, I Salute You
The play is ultimately less about the power of rock, than it is about the power we all have inside us to create and express
October 24, 2021
The play is ultimately less about the power of rock, than it is about the power we all have inside us to create and express
Underneath the outlandish costumes are some serious acting chops and wicked moves.
NKU“™s “œNoises Off“ is a “œWho’s on First“ farce, filled with dynamic and lovable characters that you’ll not want to miss.
The musical is, frankly, a lot: a lot of look, a lot of synth, a lot of meta jokes about artists, gentrification, and 40-year-old gays
Overall, this is a fun-packed musical sung and danced well with a lot of energy. The actors seem to be
enjoying their roles as
The show left me drunk on laughter and exhausted from the overwhelming energy of the cast.
These actors give their full bodies to the show and you will be amazed how they can pull off the challenging comedic bits.
The scenic design by Gion DeFrancesco (assisted by Isaiah Serra), lighting by Sarah Finke and Marly Wooster, sound by Cailin McWethy, and costuming by Lisa Martin-Stuart form some of the most polished production values I’ve seen at Miami.
Michael Hatton’s charming vision and expertise is found in every choice made in this show. Jacob Priddy as Music Director has arranged an excellent score of Christmas music and most of them period accurate.
Guided by a strong artistic vision and enhanced by new orchestration, this adaptation of the Dickens classic offers an unforgettable night at the theatre.