Reviewed by Shawn Maus for the League of Cincinnati Theatres (LCT)
Director Lewis Magruder and the Miami University Theatre Department breathe groovy new life into A Midsummer Night’s Dream, setting Shakespeare’s classic romantic romp amidst the rebellious spirit of the 1960s. With inspired design, tight ensemble work, and a soundtrack that hits all the right notes, this production delivers joy, magic, and meaning.
A Midsummer Night’s Dream is Set for the Ages
Scenic designer Seth Howard’s set nods to the architecture of Shakespeare’s Globe, but with a minimalist, modern twist. Its open design serves the storytelling beautifully—Athens, enchanted forest, and fairyland all emerge through inventive blocking and movement. The simplicity allows the cast to transform the space with their energy and imagination.
Woodstock Meets Fairyland
The inspired choice to weave in a 1960s and ‘70s musical “score” (arranged and directed by Max Kaufman) deepens the emotional resonance and rebellion at the heart of the story. Crosby, Stills & Nash’s “Our House” provides a poignant, a cappella coda that brings a lump to the throat and a smile to the face—proof that Shakespeare and classic rock make a sublime match.
Costume Dreamland
Lisa Martin-Stuart’s costume design is a visual feast. The court is clad in cold greys and structured silhouettes, contrasted by the fairies’ flowing, floral fantasy. Her design captures the transition from conformity to freedom—the “midsummer dream” literally changing the world’s color palette by the final act. Bottom’s donkey head is a showstopper, especially brought to life through actor Tod Fish’s expressive physical performance.
A Midsummer Night’s Dream Cast Chemistry and Timing
Magruder’s cast is notable not only for its diversity, but for the cohesive ensemble work. The comedic timing, physicality, and comfort each actor has on stage makes the language accessible and the humor land effortlessly. This is a group clearly having fun—and inviting us to do the same.
James Covarrubias brings kinetic charm to Robin Goodfellow. His lithe, acrobatic movement and mischievous energy makes him a true “shrewd and knavish sprite,” stealing scenes as he darts across the stage with puckish precision.
Tod Fish’s Nick Bottom is a comedic powerhouse. He captures every ounce of Bottom’s exaggerated self-importance and theatrical flair, delivering laughs while anchoring the play-within-the-play with absurd sincerity.
The quartet of lovers—Sam Vendramin (Lysander), Hannah Vorderer (Hermia), Ingrid Spenn (Helena), and Teddy Rayhill (Demetrius)—are a highlight of the night. Their chemistry sizzles, especially in the chaotic Act 3, Scene 2 fight sequence. With crisp timing and bold physical comedy, they masterfully portray the emotional whiplash of love, confusion, and rivalry.
Sound and Magic
Sound designer Jason Sebastian crafted a whimsical soundscape with finesse. The subtle “whoosh” accompanying Puck’s exits and entrances is one of many flourishes that quietly reinforces the play’s magical tone without overwhelming it.
Final Verdict for Miami’s A Midsummer Night’s Dream
Miami University’s A Midsummer Night’s Dream is a playful, poetic, and passionate ride through one of Shakespeare’s most beloved works. It is set to the soundtrack of a generation that understands the power of love, protest, and dreamers. This production is not to be missed.
Box Office Link
For tickets and more information to A Midsummer Night’s Dream go to this LINK. Performances are April 30-May 3, 2025, at 7:30 p.m. and May 4, 2025, at 2 p.m.
