REVIEW: You’d Be “Crazy” to Miss “Always… Patsy Cline” at The Carnegie

"Always… Patsy Cline" is, ultimately, a story about the power of music to connect us…across geography, class, and time.

By Molly Alderson

The Carnegie’s production of Always… Patsy Cline is a gentle triumph.  A soul-stirring, often funny, and deeply human tribute to one of country music’s most iconic voices. Running now through August 3, it is more than a jukebox musical. It’s a story of unexpected connection, of music as both lifeline and love letter, and of how a brief but powerful friendship can leave a mark that lasts a lifetime.

The Story

Written by Ted Swindley and directed with heart by Corrie Danieley, Always… Patsy Cline is based on the true story of Louise Seger. Seger was a sassy Houston housewife who, in 1961, struck up a friendship with Patsy Cline after a chance meeting at a honky-tonk. The two stayed in touch until Cline’s untimely death in a plane crash in 1963. The show is built around a real-life bond, using Louise’s colorful narration as the frame for over two dozen of Patsy’s most beloved songs.

Sarah Mackie and Charlotte Campbell in Always… Patsy Cline, now at The Carnegie.

Star Power

As Louise, Sarah Mackie is a marvel. She carries the show’s narrative with charm, gusto, and impeccable timing, providing both the comic relief and the emotional heartbeat. Mackie speaks directly to the audience throughout, and it’s to her credit that it feels less like a monologue and more like an intimate conversation. Her depiction of Louise is warm, unfiltered, and unapologetically big-hearted – it feels like the aunt or neighbor that we love to listen to their stories. The kind of woman you want to have coffee with, even if she talks your ear off and throws in southern expressions that don’t quite make sense, and leaves you with a “bless your heart.” Mackie’s performance is both larger-than-life and remarkably grounded, capturing the inner workings of a simple woman who finds joy and validation in a friendship that, for a moment, makes her feel seen.

Charlotte Campbell as Patsy Cline delivers a performance that is vocally stunning and emotionally resonant. While Campbell doesn’t mimic Cline’s iconic voice, she channels its spirit, feeling like an open-hearted ache, with sincerity and grace. Her classical vocal training is evident, but it never gets in the way of the country twang. Her renditions of “Walkin’ After Midnight,” “I Fall to Pieces,” and “Crazy” were met with audible gasps, quiet sniffles, and, in some cases, quiet sing-alongs from audience members visibly moved by the moment. Under the musical direction of Steve Goers, Campbell navigates Cline’s challenging phrasing and emotional nuances with elegance, allowing the music to speak for itself.

Charlotte Campbell in Always… Patsy Cline, now at The Carnegie.

Outstanding Design

The show’s design supports the intimacy of the story beautifully. Tyler Gabbard’s set transforms seamlessly from Louise’s cozy kitchen to the bright lights of a performance stage, striking the perfect balance between nostalgia and narrative flow. The lighting, simple yet effective, captures both the glow of memory and the shadow of Patsy’s tragic fate. 

Live Music

And then there’s the band… led by Goers and featuring Brad Myers, William Mullen, Lindsey Rogers, Keith Humphries, and Matt Wiles. A cowboy-hatted ensemble of local pros who lend the score an authenticity and richness that would be right at home at the Grand Ole Opry. They don’t just accompany, they contribute to the storytelling, adding warmth and texture at every turn.

Note: That said, The Carnegie’s historic charm can sometimes be accompanied by a few technical hurdles. On opening night, there were moments when the sound mix leaned a bit heavily in favor of the band, making it difficult at times to clearly hear the vocals, particularly during more instrumentally driven numbers. This is a common challenge in the venue’s acoustics and sound balancing, and one that will likely be addressed as the run progresses. Even with those occasional imbalances, the emotional clarity of the performances managed to come through…a testament to the strength of both the cast and the material.

Also I would like to mention the beautiful styling of Wig Designer, Maria Barnes, classically capturing Cline’s infamous hairdo, truly transforming Campbell into Cline.

Sarah Mackie and Charlotte Campbell in Always… Patsy Cline, now at The Carnegie.

Charmingly Old-Fashioned and Surprisingly Modern

Always… Patsy Cline could have easily felt like a tribute concert, but it’s something more enduring. It’s a story about womanhood… about loneliness and loyalty, about chasing dreams and cheering for someone else’s. In Louise and Patsy, we see two women from entirely different worlds, both navigating the compromises and quiet longings of mid-20th-century life. That their friendship unfolds during a time when women’s stories were so rarely centered makes the show feel both charmingly old-fashioned and surprisingly modern.

Perhaps most striking was the audience itself. A multigenerational crowd where couples, some who looked like they’d been married for decades, held hands, wiped away tears, and mouthed lyrics to songs they probably first heard on a car radio in the 1960s. There’s something undeniably moving about that. And for younger audience members, the show serves as a powerful introduction to Cline’s music and the emotional truth embedded in it.

Overall

Always… Patsy Cline is, ultimately, a story about the power of music to connect us…across geography, class, and time. It reminds us that some voices, no matter how briefly we hear them, never leave us. They become part of our soundtrack and part of our story. 

Get Tickets to Always… Patsy Cline

Whether you’re a lifelong fan of Patsy Cline or just discovering her for the first time, this show is worth your time. You’d truly be “crazy” to miss it. Running now through August 3, 2025. Get tickets and showtimes at the online Box office or call 859-957-1940.

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