Carnegie“™s ‘Love, Loss and What I Wore’ is More than Just a Girls“™ Night Out
Review by Dan Maloney of Love, Loss, and What I Wore: The Carnegie Ilene Beckerman“™s 1995 memoir Love, Loss, and What I Wore tells the
Review by Dan Maloney of Love, Loss, and What I Wore: The Carnegie Ilene Beckerman“™s 1995 memoir Love, Loss, and What I Wore tells the
Review by Jack Crumley of Love, Loss, and What I Wore: The Carnegie November brings a run of Love, Loss, and What I Wore to
Review by Spenser Smith of Ma Rainey“™s Black Bottom: NKU Set in a recording studio in the 1920“™s over the course of an afternoon, a
Review by Teddy Gumbleton of A Chorus Line: CCM Musical Theatre For their first mainstage show, University of Cincinnati College-Conservatory of Music“™s Department of Musical Theatre
Review by Alan Jozwiak of Middletown: CCM The title of this article is taken from lines from Will Eno“™s play Middletown and echo the main
A Chorus Line and CCM Musical Theatre Program are a perfect match. These students LIVE these stories. They bring a passion and a pathos that
Review by Doug Iden of The Foreigner: Covedale Theater Don“™t be a stranger to The Foreigner which is now running at the Covedale Theater. This
Review by Jack Crumley of The Foreigner: Covedale Center for the Performing Arts The Covedale Center for Performing Arts“™ fall production of The Foreigner has
Beautiful has a lot of heart at its core, it showcases themes of perseverance, agency, and the importance of standing in your truth.
Sidney Higgins leads the cast with a pitch perfect portrayal of King by showcasing a surprising vocal vulnerability that draws audiences in and keeps them wanting more. This is no small feat given the role requires almost constant signing for two and a half hours.
It is quite amazing to watch the actors work the puppets’ mouth and sometimes also their eyes while having them say their lines. It is mesmerizing to see the wildly different types of puppets.